Interested in the process of painting itself, I spill inks onto canvas, linen, and silk, allowing the pigments to bleed through multiple layers of work simultaneously. This process produces landscapes and abstract compositions that resemble a musical soundscape.

The creation of an image follows the Buddhist principle that form is emptiness, and emptiness is form. Rather than imposing a fixed reality, the work allows form to emerge through chance, material interaction, and intuition. Pulse unfolds through multiple variations, mapping an inner weather system in which each composition becomes both a record of process and a landscape of shifting states of being.