Cosmos featured three interconnected bodies of work. The central installation brought together a single-channel video—serving as a kaleidoscopic window into the making of the artworks—with Painting + Sculpture: three double-sided paintings and three sculptural textile-and-mirror works. Together, the analog and digital converged into a single experiential event, revealing the reciprocal dialogue between process, image, and material.
In contrast, The Timeline of Cosmos offered a more intimate encounter through a selection of 25 glass works, while Orbit, a monumental panoramic painting, welcomed visitors at the museum's entrance.
The exhibition was on view from January 6 through March 30, 2026, at the Mary G. Hardin Center for Cultural Arts in Gadsden, Alabama.
Although I began working with glass in 2015, some of the glass works have evolved through successive acts of appropriation and reworking. These accumulated layers deepen each piece, inviting reflection and opening windows into time, space, and existence.