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No common technique or material can create a unity evoked by the association of ideas. From two-dimensional work such as painting and photography to sculptural mirror works I work with a variety of techniques to make visible not only the constructed nature of imagery but also the potential to change them.
In my work I move along the shifting line between the random and the structured, revealing different facets of my preoccupation with the powers and handicaps of perception. Each of these works has a secret twist. The tension between what we initially notice and what is actually there resonating through our encounter. Interesting is the other, the other inside and outside of our-selves, the other side of all our identities.
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